Thirlwell, in turn, has cowritten and remixed songs for PIG. Thirlwell, briefly playing bass in Foetus Corruptus and co-writing songs for Steroid Maximus on the album Gondwanaland. Watts has occasionally collaborated with J.From 1985 to 1989 Watts was a sound engineer for Einstürzende Neubauten.From 1984 to 1986 Watts was sound engineer for Mona Mur.He has also been credited as "Nainz Watts" or "Nains Watts" on several early releases.
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Watts has worked with several industrial and avant-garde artists, receiving credits as PIG and Raymond Watts interchangeably. Watts was given a tongue-in-cheek description in the lyrics to the KMFDM song "Intro" from the 2003 album WWIII: The Lord of Lard, the Mighty Swine He loves Manchego and a bottle of wine Also known as Raymond Watts, He screams out his lungs while his brain slowly rots! Other collaborations A live CD from the 2002 "Sturm & Drang" tour was released on Metropolis Records that same year. The setlists for those shows feature KMFDM songs alongside Pig songs. Watts has performed with KMFDM as part of the touring lineup, with the concerts billed as "KMFDM featuring PIG". Current KMFDM guitarists Steve White and Jules Hodgson (as well as former KMFDM guitarist Günter Schulz) and drummer Andy Selway have been involved with PIG. KMFDM has in turn assisted Watts with his PIG projects in production and personnel. A collaborative EP titled Sin Sex & Salvation was released in 1994 under the moniker "PIG vs.
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Watts has contributed his skills as a songwriter and vocalist to several KMFDM albums, including their first album Opium in 1984, and has a heavy presence on their 1995 album Nihil, which spawned the hit " Juke Joint Jezebel". Collaboration with KMFDMīecause Raymond Watts is a central figure in both PIG and KMFDM, the two projects have seen much crossover. Like KMFDM, humor features prominently in PIG's lyrics, although they tend towards a darker/grittier tone than KMFDM's.
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He also manages to work food or pork related terms into his albums. His album and song titles tend to be witty, rife with alliteration ("Prayer Praise & Profit") or are plays on the titles of popular works or phrases ( The Swining / "Symphony for the Devil"). PIG tends to sound more orchestral than KMFDM, with darker, more complex, more ambient beats.